![]() ![]() The artists recognise the large-scale processes that may go backwards or forwards in time at scales that are more-than-human. Volcanism, earthquakes, weathering and/or the stages of change in plate tectonic processes are dealt with directly, or as analogical and metaphorical terrains for wider issues. Reframing media technology’s relation to natural history, considering the effect of the traces left by humanity, shifts out of the short-sighted view often taken of techno culture, at the same time as brushing a bit of dust off the contents of the distant past.Ī variety of artists today are working with geoaesthetics and/or long-term scales of thinking that relate to geological processes or geological timescales. Its parallax view draws together knowledge from various fields of media philosophy, geology, computer programming, chemistry, and poetry with the aim of developing a better understanding of the inter-relation between different kinds of codes and how they effect a sense of our time. ![]() Combining investigative art making and writing practice with visual and theoretical analysis, the method of research is reflective of its multifaceted subject. The images and text of which this book is comprised are artefacts of a still ongoing study of the interconnection between the methods by which information is encoded in matter, and the deep temporality of data-storage and transmission. ![]() Parts are volcanic, others in the gradual process of sedimentation, tectonically shifting and recrystallising over time. This book is an aggregate, formed through processes of artistic research: a collection and compaction of fragments of texts, images, and ideas. ![]()
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